Page 43 - Beverage MasterOct Nov 2020
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Craft Distillery
Chanel Turner— still have far to go. I encourage women coming
Creator— FOU-DRÉ in the industry to network, network and net-
Vodka work some more! Make your presence in the
industry known. When one wins, it’s a win for
Once a government us all.
contractor, Turner
spent more than six Kaitlin Vandenbosch—
months researching dis- Head Distiller/
tilleries with the tech- Brewmaster— Mill
nology to produce the Street Brewery
quality of crisp, clean
vodka she wanted. After earning a mas-
Today, her “lightning” ter’s in brewing and
brand has robust Asian sales and a strong online distilling at Heriot-
market. She’s also the founder of the Black-Owned Watt in Scotland,
Spirit and Wine Festival in Washington, D.C. Vandenbosch started at
Mill Street in Toronto
Signature Spirits: FOU-DRÉ Vodka in 2013, just when it
was expanding into
1. I’m most proud that we’ve been able to sustain micro-distillation. She
in an industry that sees many brands come and advanced in many management positions since
go. Looking back, I identified a problem that then, helping Mill Street refine its line. In 2019, she
many can relate to, with vodka being a spirit became the organization’s brewmaster.
that people tend to grow out of. At 25, I knew I
wanted a “better experience” when consuming Signature Spirits: Single Barrel Canadian Malt
spirits without having to use sugary mixers. I Whisky, Tankhouse Bierschnaps, Small Batch Gin
realized I would have to source the right distill- 1. There are two things I’m proud of: first, Mill
ery to bring my vision to life. It took months of Street brought distilling back to the Distillery
research, formula tests (87!) and market sur- District in 2013, and I was the first head dis-
veys to come up with the infused formula that’s tiller. Spirits hadn’t been distilled on-site since
found in a bottle of FOU-DRE today. We’ve not the mid-1980s! Second, during my time as head
compromised the unique taste or exquisite distiller, I set down two barrels of whisky. Since
packaging of FOU-DRE in any way—that truly it was very small scale, I was able to take a lot
makes me proud. of time and care with the recipe design, aging
and blending. I am really happy with how both
2. I’ve learned to celebrate the small wins and turned out (released in 2017 and 2018).
appreciate the journey. The older I get, this
matters more than ever before. Essentially, I’ve 2. It’s fairly technical, but one of the most use-
grown with the business, becoming a proprietor ful skills that I learned from my former boss,
at such an early age. Outside of what it takes to Joel Manning, is benchtop trials. This comes
build a spirit brand, I’ve learned patience! in handy when determining flavor additions,
final alcohol strengths, barrel blends, cocktail
3. My advice would be to make the right alliances designs, and so on. It’s extremely useful to dial
early on. Though we’re seeing more women in on a small scale the flavor profile you’re aim-
come into this space, it’s still a male majority ing for and then adapt it to a larger scale.
industry. So it’s important that we unify, join
together and share moments of pains and prog- 3. Network! I believe it’s really important, espe-
ress. We can learn so much from one another cially in craft distilling, to meet others in the
and get ahead of the game by tapping into each industry or similar industries. There’s also a lot
other’s resources. When I first started, there of overlap between brewing and distilling and
was a small percentage of women owners/dis- wine/cider making and distilling. Similarly, it’s
tillers in the industry. Even more disheartening, good to meet people who are the end-users
there was an absence of platforms for commu- of your product—bartenders and customers.
nity-building and very little visibility for women Networking is a great way to share ideas, learn
in the field. We’ve come a very long way but about events, ask questions and make connec-
tions.
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